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translated by Werner Habel and Eva-Maria Stuckel |
| Is there a reason also today, in 1998, to occupy oneself with some eccentric authors from the Twenties, specialized in theories about the decline of Atlantis? Yes, because they are all united by a certain mentality, the Atlantdic View of Life, that in the Twenties had already made headway and brought about devastating consequences in the following decades: the national socialism. German original. The subject of the research: The reception of preculture in the Twenties. In various popular-scientific writings on the subject Atlantis the same connection of nordism (the belief in the precultural existence of a nordic race on Atlantis, a blond, blue-eyed and superior race, the founders of european culture), racism, and an utopian island society appears again and again. What are the psychological reasons for the authors of this pseudo-scientific books? Actually the longing for death and Mutterimago appears again and again in the investigated books. So, according to Wieland, the Atlantis was also called by the immigrants ´Idafeld´ from ´Ida´ which means "arch-mother"[4]. The authors of the Tempelhof-Association fabulate something about "home to the Great Mother" [5] and Herrmann refers in his book on the Atlantis on the Ura-Linda-Chronic that he thinks to be authentic if he postulates that the state was guided by a people's mother. [6] In 1932 Bessmertny mentions, too, that the authors he deals with, the "Atlantomanen", as he names them, are threatened by the Mutterimago. [7] "I saw fate twitching out of distant haze and fog like a flickering lightning, very clearly I felt the magical hoop that wounded strangling around wealthy Atlantis, more closely closing in slow motion, as if a terrible snake ties up its giant body around a defenseless victim's neck.. I climbed slowly to the valley and called ... [at] the people on the ship that helplessly stood at the cliff and observed the disaster with burning, crazy eyes. And they were surprised that I laughed again instead of looking haggardly on the misfortune like them... "[9] "The downfall of Atlantis was a gruesomely beautiful play of terrifying greatness.. In one hour the culture of ten thousands of years had sunken into the deep, and the dim, smoking, and steaming floods of the ocean rolled over the grave of 64 million people. "[10] Armin Mohler judges the conservative revolutionaries of the Twenties that he deals with in a mental-historical way - they would long for the eternal return of growing and decay in the circulation of nature. Stefan Breuer as a mentalhistorian considers the aspect of apocalypse to be to the fore of the New Nationalists of the Twenties that he deals with: The destruction is passed through as purifying bath, as crossing into a - in christian tradition - better tomorrow.[11] But both approaches step back in the nordic myths of Atlantis behind the dominating image of final collective suicide. Are only façade of a psychologically far-reaching mentality, the Atlantidic View of Life. The fascination of this type of melting together - the suicide's "going into the water" - is legendary and, at the latest, Luc Besson in his cineastic masterpiece "The Big Blue" has put it perfectly into an atlantidical sign: During the night a young diver is tawn by the help of leaden weights in depths he never reached before. At the end of the line a dolphin appears, the diver loosens the cushions of oxygens which are to rescue him and follows the dolphin into the deep of the moisty darkness. So the books are suitable as an example for the survey of an "apology of suicide", which is called for by Mohler, in the surging "mixture of thoughts, images and dreams" [12] of the Twenties, in the phase of incubation of a political movement which according to Janine Chasseguet-Smirgel carried with the swastika in front of it the sign of the mother. In 1988, in her preface to Peter Zagermann's "Eros and Thanatos", the psychoanalytic explains the relations between the Mutterimago and national socialism: At the beginning of her observations there is Freud's assumption of a death-drive that might even have a biological root. It's about the drive which strives to transform the living into the anorganic again. A drive which causes the efforts of searching for the identity of subject and object, for a melting together of drive-object and ego and so the nullification of individuality, of psychical life. By refering to Thomas Mann's thesis of the attraction of "motherly chtonic dephts" on the german people in "brown" years Chasseguet-Smirgel objects to the thesis of Wilhelm Reich's and others that national socialism is a flowing out of patriarchy, of an authoritarian structure, and that the origin of all evil is the father. She writes: "The myths of the Nazis represent the ideal mother with whom the subject wants to be a whole. But the Father-God of monotheistic religions - and especially the Old Testament's God - has been expelled. And so all hindrances that stand in the way of this uniting are destroyed by warriors who carry the symbols of the dangerous Mutterimago also skulls that symbolize the archaic Terrible Mother." [13] In 1927 Hermann Hesse, a german novelist, wrote - at the same time as his famous novel "Steppenwolf" - a collection of poems with the title "Crisis - A Piece of Diary". Among these poems there is also the following one that verifies the psychological dimension of the Steppenwolf, the connection of Mutterimago and death: Devotion You dark one, Arch-mother of all lust, Chasseguet-Smirgel sweepingly judges that there is a "very german tendency to call away from reason, from the father in order to melt into the fascinating arch-mother" [15]. In 1927, Hesse apologetically judges in a similar way: "I don't know if there are many countries left where a whole nation's hatred against all good sense is so unanimous and nearly organised as in Germany." [16] Nevertheless the Atlantidic View of Life which can be visualized by the image of a whirl is definitely not a specifically german mentality; rather, it has to be seen individually. Being too coward to draw the knife for oneself individually, this suicide is happily delegated to the leader, the "Führer", to become a collective suicide, commited from above. A collective suicide that becomes mass-murder for all of those who do not belong to the Atlantidic View of Life.
Franz Wegener, M.A.
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